Цитата:
Сообщение от Кирилл Юдин@2.10.2009 - 23:46
Но уж точно, если они выявляются на последней странице - то это минус (вовсех смыслах).
Можно понять. Читайте специальный раздел "Сценаный формат". А лучше вообще внимательно читать, что Вам отвечают.
теперь прочитайте свой вопрос:
Это откуда такой вопрос появился? С какой сырости?
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VANILLA SKY
Written by
Cameron Crowe
Несколько цитат:
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INT./EXT. NEW YORK CITY GARAGE BELOW APARTMENT/STREETS -
MORNING
David starts up his dark green sports car, and roars onto
the New York City streets.
____________________
INT./EXT. NEW YORK CITY GARAGE/STREETS - DAY
David is about to enter the green sports car, then thinks
better of it. He fires up a knock-around beater car from
his collection. He drives into the street which is,
comfortingly, now full of people. We hear R.E.M.'s "All
The Right Friends."
____________________
EXT. CLUB STREET/SOFIA'S APARTMENT - NIGHT
David runs frantically, heartbroken and sobbing.
HIS MIND
Brian catches up to Sofia. She turns, relieved. They kiss
messily, hungrily. Her shoes arch to reach his height.
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INT./EXT. POLICE STATION - NIGHT
Exiting, David is intercepted by a furious Brian.
BRIAN
You're in fucking sad shape, man.
Don't fucking ever hit a girl,
man. Hit me, but don't fucking
EVER hit a girl.
David looks up -- sees a small security camera trained on
them - pulls Brian out of the station.
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Если не зацикливаться на "Небе", то вот и другой навриант, но опять же на вскидку: AUSTIN POWERS: INTERNATIONAL MAN OF MYSTERY
.......................................
EXT./INT. JAGUAR - STREETS OF LONDON - DAY
The driver of the Jag is Austin's associate, MRS. KENSINGTON,
a beautiful woman in her thirties.
They drive against obvious REAR PROJECTION of 1960's London.
AUSTIN
Hello, Mrs. Kensington.
MRS. KENSINGTON
Hello, Austin Just then, a FLASHING
RED LIGHT goes off and we hear a
distinctive PHONE RING.
MRS. KENSINGTON
That'll be Basil Exposition, Chief
of British Intelligence.
_______________________________
А тут на контрабасе, но так же мелодия...
76:ARENA IMPERIA. PROJECTION BOOTH. EXT/INT.EVENING
The Arena is crowded with sun-burnt faces. On screen, scenes from
Ulysses. On a shelf in the projection booth, there is an enormous pack of
letters. SALVATORE is worn out. The waiting has destroyed him. He looks
like a madman. As he winds up one of the parts of the film, he repeats
her name obsessively, under his breath.
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